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Altar frontal - Rose Festive Vestment

Filippo Salandri; Francesco Giuliani1744 - 1749

Museu de São Roque

Museu de São Roque
Lisboa, Portugal

This altar frontal, belonging to the rose festive vestment, was made by Filippo Salandri. Together with the purple, this one is perhaps the most elegant of all the festives, due to the delicate contrast established between the rose background and the embroidery in gold. Keeping the general unity of the decorative programme, which makes all the festive sets of the Chapel of Saint John the Baptist apparently very similar, this beautiful vestment finds its originality from a decorative point of view in the variety of details and in its complex articulation. This altar frontal features a series of lace motifs based on typical decorations of the materials of French origin from the 1730’s. The floral motifs go back to either the chinoiseries, or to the more classical ones; a "girandola" of acanthuses together with fringed palms are noteworthy. The rose colour was used to lighten the severity of the penitential liturgical season, namely, the third Sunday of Advent (Gaudete) and the fourth Sunday of Lent (Laetare).

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  • Title: Altar frontal - Rose Festive Vestment
  • Creator Lifespan: Unknown
  • Creator Nationality: Italian; italian
  • Creator Gender: Male; male
  • Date: 1744 - 1749
  • Physical Dimensions: w225 x h108 cm
  • Provenance: Museu de São Roque/Santa Casa da Misericórdia de Lisboa
  • Type: Liturgical vestement
  • Rights: Museu de São Roque/Santa Casa da Misericórdia de Lisboa
  • External Link: Museu de São Roque/Santa Casa da Misericórdia de Lisboa
  • Medium: Gros de Tours rose (ribbed silk) embroidered in gilt silver in relief. Galloons in gold thread.
  • Manufactured: Rome, Italy
  • Function: The custom of decorating the altar with elaborate materials, in fabric or metal, dates from the 4th century. In the post-Tridentine era, St. Charles Borromeo laid out clear directives for frontals, in terms of shape, size and decorative motifs. At the centre, there should be a cross, the consecrated host or the iconography of the patron saint. These directives also divided frontals into two categories: for solemn and daily use. The former should be in silk and embroidered with gold or silver, while the latter should be in plain silk or grosgrain.
  • Embroiderer; tailor: Filippo Salandri; Francesco Giuliani
Museu de São Roque

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