The sculpture by Matthew Day Jackson is certainly human in origin, but seems also to be part machine. Much of Jackson’s work starts with the body and then develops along themes of violence, speed, destruction, and regeneration. Here, it is as if a man has become a missile or a centrifuge, spinning at high speed, unstoppable. The shine of the polished stainless steel adds to this sense of science fiction, a being from the future brought into our present.