Alájere Path: Adebisi Akanji Stands Besides a Newly Restored Sculpture

This photo shows master artist Adebisi Akanji, standing beside a cement sculpture that he has just restored. The sculpture is an example of early small cement work created by New Sacred Art Movement’s founder, Susanne Wenger. At the time she was encouraging Akanji and other artists of the Movement to create works of art reflecting their Yoruba traditions. She encouraged them to experiment, and motivated them to develop a style of their own while maintaining the attributes of the deities which were traditionally sculpted in wood by ritual woodcarvers. Created in the early 1960s, these works have a playful and surrealist quality.
As with all the Shrines and works of art in the Sacred Grove, this piece was created using cement reinforced by iron rods and netting. To cut costs at the time, mud was used in the core and then covered with cement. Over time, the mud core weakened and the sculptures collapsed. The works were completely reconstructed in 2016 by Akanji, this only using cement with metal reinforcement. The sculptures should last forever, requiring only periodic maintenance.
On Adebisi Akanji:
He was trained as a young man to fashion cement decorations for the elaborate 'Brazilian' baroque building style, derived from buildings introduced to West Africa in the late 19th century by formerly enslaved returnees from Brazil. He participated in art workshops run by Susanne Wenger, Ulli Beier and Georgina Beier in the early 1960s and showed enormous interest and talent. Wenger took Akanji under her wing, and he joined her in creating the monumental sculptures in the Grove. Working with Wenger over several decades allowed the former bricklayer to develop his incredible artistic talent to a very high level, while he also helped her refine her technique in working with cement.
Wenger described their process in the early days: "I give Adebisi the story, the association he needs. With my hands he expresses the forms. I never draw a plan. Adebisi then portrays my gestures with the wall and pillars he raises in red mud and cement. I let him work for some hours by himself. Often his work expresses exactly what I have in mind. Sometimes I tell him we must start again. This never upsets him. He is always ready to listen again. He always comes back with new enthusiasm." (The Return of the Gods, p.92 by Ulli Beier:)
In addition to works of art in the Grove, Adebisi Akanji has applied his considerable talent to batiks, sensitive drawings in pen and ink and paintings.
Significantly, Akanji developed the talent of his son, Nurudeen, who shares his father’s artistic abilities. Adebisi Nurudeen had become the lead artist doing the restoration in the Grove by 2018, when ill-health prevented the older Adebisi from continuing his life's work. Until then, Adebisi Akanji had played an extremely important leadership role in the restoration of cement sculptures and monuments in the Sacred Grove from 2008 onwards.
He was in great demand for commissioned work throughout his career, and some of these included: The National Black Theatre in Harlem in New York City, The Centre for the former President, Obasanjo, in Abeokuta, Nike Art Gallery in Osogbo and elsewhere, as well as Mydrim Gallery and decoration on houses in Lagos.
Adebisi Akanji has exhibited widely in Europe, the USA and in Brazil.
He is a traditionalist and leader within the Ogboni Cult.