Commodi’s ‘back of an envelope’ sketch was shaped by the arbitrary confines of the letter’s address and red wax seal, still visible in the upper right-hand corner of the paper. The angels twist around to accommodate them. It is one of many studies by Commodi for an unexecuted fresco commissioned by Pope Paul V around 1616 for the chapel of the Palazzo Quirinale in Rome; another three are on the backs of letters.