The white painted figurehead of Annie Lisle depicts a woman with her left hand at her side and her right hand folded across her chest. She wears a gown that looks like it is being buffeted in the wind and a necklace of beads high on her neck. A wreath of flowers rests on her head. 'Annie Lisle' is the title of an 1857 ballad recounting the death of a young maiden by Boston, Massachusetts song writer HS Thompson.
Figureheads, carved wooden sculptures which ornamented the bow of a sailing ship, embodied the 'soul' of the vessel and were believed to offer the crew protection and safe passage on the seas.They were also used to identify a ship, reflecting its function or paying tribute to a person connected with the vessel. The South Australian Maritime Museum has a collection of seventeen ship’s figureheads - the largest in the Southern Hemisphere. The figureheads were sourced and acquired by Vernon Smith, the Honorary Curator of the Port Adelaide Nautical Museum ( from which the current museum evolved) over a period of fifty years. He thoroughly documented his search and as result, most of the figureheads are well provenanced with a recorded chain of ownership. Annie Lisle links to a vessel with a strong history of trading in Australian waters. The plight of the figurehead after the wreck also demonstrates how these objects were coveted and acquired by those outside the maritime trade.