Aqua et tempus, the installation that we can see, especially designed for the space in which it is presented, is a result of the exhibition of the same name that the artist created at this museum in 1997. The exhibition had an antithesis Ignis et tempus, which was displayed in parallel at the Museum of Graz. Tom Carr ( 1956) Order and geometry are constant elements in his sculptural work; shapes such as the square, the triangle and the circle are present in highly varied forms, more or less fragile, all playing with the empty spaces, the air and the light that penetrate and encompass them.