The very name of this sculptural object is clearly associated with the works of the famous Hans (Jean) Arp (1886-1966), a German-French artist - sculptor, painter, collage artist, poet known as a collaborator of Dadaists and Surrealists. What gave the initial initiation to Zdravko Joksimović to call this sculpture "Arp after the fifties" is certainly Arp's work in the domain of abstract art (especially collages and sculptures). Joksimović's reminiscence of Arp's sculpture is reflected on several levels - shapes and volume, surfaces, color, grace of rounded forms. Of course, with the concept of modern realization, the use of modern materials and technologies and the affirmation of the use of "elementary natural forms", which Arp himself emphasized.