This piece is part of a collection of 30 xylographs, produced by the multimedia artist Otávio Roth (1952-1993), that graphically express the content of the Universal Declaration of Human Rights (1948). The series took two years to reach completion, with each piece printed on handmade paper created by the artist himself. Driven by the desire to democratize access to the Charter, Otávio Roth synthesized its message in graphic pieces that facilitate the understanding and memorization of the Charter’s content.
Roth was the first living artist invited to exhibit at the United Nations. His prints have been on permanent display at UN headquarters in New York, Geneva and Vienna since 1981. In addition to the English series, the artist produced other series in Japanese, French, Spanish, Portuguese, Norwegian and Danish, using techniques as diverse as crayon, watercolor and pulp painting.
About Article 8
The commitment to provide effective reparations to everyone is an intrinsic part of the justice system. After two World Wars, the Declaration’s drafters considered it important to affirm the principle of free access to fair courts - to which we can all appeal if our rights are violated. The importance of this guarantee is summarized by Jane Addams, the second woman to receive the Nobel Peace Prize (1931): “True peace is not only the absence of war; it is the presence of justice”.