Portraiture became part of the mourning process that followed Abraham Lincoln's assassination on April 14, 1865. In the ensuing months, print publishers furnished the image of Lincoln in all guises: attended at his deathbed by various statesmen, sitting serenely with his family, or grouped with previous American heroes or presidents. But first, a shocked nation had to grapple with the facts of his assassination and death. The lithograph of the scene at Ford's Theatre re-creates the event, with John Wilkes Booth leaping to the stage after shooting Lincoln. The black-bordered Memento Mori recalls many Americans' first grieving response: to drape funereal bunting, crepe, and flags on doors and windows, often tucking a portrait into the decorations.