Athanor 15

Athanor XV (1997)

Carla Funk
“The City is a Prison, the Desert Paradise”: Hagiographic Promotion of Carthusian Monasticism in the Belles Heures

Amy J. Wright
The Bible of Borso d’ Este: A Profile of Princely Magnificence and Christian Piety

William L. Barnes
Partitioning the Parturient: An Exploration of the Aztec Fetishized Female Body

Traci Elizabeth Timmons
Habiti Antichi et Moderni di Tutto il Mondo and the “Myth of Venice”

Adera Scheinker
Appropriation of Play in a Victorian Album: Idylls of the King and Other Poems Illustrated by Julia Margaret Cameron

Sunanda K. Sanyal
Allegorizing Representation: Gérôme’s Final Phase

Susan Kloman
Paula Modersohn-Becker and the Discourse of Motherhood in Turn-of-the-Century Germany

Lauren Bartlett Nagel
The Icon and the Avant-Garde in Russia: Aesthetic Continuity in Tatlin’s Painterly Reliefs

Wendy Eller Kagey
The Second Moses: The Messianic Tradition in James Hampton’s Throne of the Third Heaven

James W. Rhodes
A View From Within: Mark Tansey, Mont Sainte-Victorie, and the Iconography of Deconstruction

Kristin Schreiber Roberts
Framing John Biggers’ Shotguns (1987): African American Art and Identity