Athanor 22

Athanor XXII (2004)

Angela Marie Herren
Portraying the Aztec Past in the Codex Azcatitlan: Colonial Strategies

Lisandra Estevez
“The Triumph of the Text:” A Reconsideration of Giovanni Vendramin’s
Architectural Frontispieces

Julianne Parse Sandlin
The Ca’Dario: A Message from a Cittadino

Elina Gertsman
Illusion and Deception: Construction of a Proverb in Hieronymus Bosch’s The Conjurer

Diann G. Montague
Giulio Romano’s Garden of Venus as an Interactive Spatial Metaphor

Ryan Gregg
The Sacro Monte of Varallo as a Physical Manifestation of the Spiritual Exercises

Guy Tal
Disbelieving in Witchcraft: Allori’s Melancholic Circe in the Palazzo Salviati

Iraida Rodríguez-Negrón
Emblem of Victory: The Immaculate Conception in Spanish Colonial Painting of the Viceroyalty of New Spain

Ilenia Colón Mendoza
Ramón Frade’s El Pan Nuestro: The Jíbaro as a Visual Construction of Puerto Rican National Identity

Christal Hensley
One Portrait of One Woman: The Influence of Gertrude Stein on Marsden Hartley’s Approach to the Object Portrait Genre

Jennifer Farrell
The Effacement of Myth: A Study of the Work of Roland Barthes, Isidore Isou, Françoise Dufrêne and Daniel Buren

Tienfong Ho
Absence of Evidence: Depicting the Truth of War