Athanor 23

Athanor XXIIl (2005)

Alessia Frassani
The Art of Divination in Indegenous America—A Comparison of Ancient Mexican and Modern Kuna Pictography

Tanja L. Jones
Classical Chastity and Chivalric Tradition: Pisanello’s Portrait Medal of Cecilia Gonzaga

Eileen Costello
Knot(s) Made by Human Hands: Copying, Invention, and Intellect in the Work of Leonardo da Vinci and Albrecht Dürer

Shannon Pritchard
Caravaggio’s Capitoline Saint John: An Emblematic Image of Divine Love

Jennifer L. Hallam
“Virtue must be hir chiefest garnish”—Rules for Painting an Early Stuart Lady as Evidenced by Larkin’s Mary Curzon

Andrea Keppers
Invention and the Court Copyist: David Teniers the Younger and Gallery Paintings

Casey Gardonio-Foat
Luisa Roldán’s Terracottas: Result of Failure or Strategy for Success?

Sandra Zalman
Picturing American Femininity: Addressing the Body of Alfred Stieglitz’s Portrait of Georgia O’Keeffe

Kristen Williams Backer
Identity and the Artist: Soviet and Post-Soviet Sots

Stefanie Snider
You Make Me Fell Like a Natural Transgendered Person: Contemporary Photography and the Construction of Queer(ed) Identities

Nathan J. Timpano
Misremembering Racial Histories: The Role of the Viewer in Kara Walker’s The Emancipation Approximation