Athanor 24

Athanor XXIV (2006)

Jennifer Naumann
Wicked Wives: The Animate Vulva, Social Satire, and Fear of a Female Pilgrim

Michael P. Kemling
Portrait of the Artist as Michelangelo: Maarten van Heemskerck’s Self-Portrait with the Colosseum

Lauren Grace Kilroy
Guaman Poma’s Illustrated Khipus: Signs of Literacy, Emblems of Colonial Semiosis

Stassa B. Edwards
Visualizing and Textualizing Algeria: Description and Prescription as a Strategy for Redefinition

Ellery Foutch
Dancing in the Street: George Luk’s Spielers

Karen Shelby
The Memorial to Peter: A Social Investigation within the Politics of German Memory and the Great War

Carissa Kowalski Dougherty
The Coloring of Jazz: Race and Record Cover Design in American Jazz, 1950 to 1970

Izabel Anca Galliera
Satire in subREAL and the Prevalent Monolithic Western View in the Beyond Belief and After the Wall Exhibitions

Claire L. Kovacs
Puppetry of the Penis: A Deconstruction of the Phallus as Weapon

Viktoria Villanyi
Between the Graphic and Tectonic: Architecture, Mapping and Topography in Rimer Cardillo’s Works