Athanor 25

Athanor XXV (2007)

Jennifer M. Feltman
Inscribing Order: The Didactic Function of the Walters Art Museums MS 73

Heather McCune Bruhn
The Parish Monstrance of St. Kolumba: Community Pride and Eucharistic Devotion in Cologne around 1400

Lee Todd
A Woman Enthroned: Margaret of York and the Recuyell Engraving

Jamie Ratliff
The Social Mapping of Self and Other: Cross Purposes and Double Mistaken Identity in Colonial Mexico and Europe

Yemi Onafuwa
Bruegel’s Cripples and Early Modern Humor

Angelo Ho
Gerrit Dou’s Niche Pictures: Pictorial Repetition as Marketing Strategy

Michelle Moseley Christian
Genre-Portraits and Market Value: Emanuel de Witte’s Portrait of Adriana van Heusden and Her Daughter at the New Amsterdam Fishmarket, 1661-63

Lauren R. Cannady
The Validation of Terracotta in Eighteenth-Century Image and Text

Adam H. Veil
The Wonderful Works of Omnipotency: T. Addison Richards and the Aura of the Romantic Southern Landscape

Mary Vens
Femme Fatale: Guilty as Charged?

Elizabeth Cronin
Imagining the Landscape as Feminine: A Series of Nudes by Franz Roh