Athanor XXVI (2008)
Kandice Rawlings
Painted Paradoxes: The Trompe-L’Oeil Fly in the Renaissance
Rebekah Perry
Death and Devotion in Renaissance Venice: Giorgione’s Boy with an Arrow and the Cult of Saint Sebastian
Jerry Marino
Touch of Evil: Disease and the Diabolical in Grünewald’s Temptation of St. Anthony
Caroline Hillard
The Conquest of Etruria in Francesco Salviati’s Triumph of Camillus
Rowena Houghton Dasch
Unraveling the Deception: Trompe l’Oeil as Guide to Charles Bird King’s Picture Gallery, 1824-1861
Mary Dailey Pattee
Grabbing Modernity by the Horns: Mary Cassatt’s Offering the Panal to the Bullfighter
Clara Barnhart
Reconciling the Civil War in Winslow Homer’s Undertow
Bryna R. Campbell
Excavating the Subjective in Gustaf Nordenskiöld’s The Cliff Swellers in the Mesa Verde
Keri Fredericks
The Country Cousin: Advocating an Arcadian America
Michael Alvar de Baca
Hardcastle (1962): Memory, Catastrophe, Minimalism
Natilee Harren
The Diagram Dematerialized, from Marcel Duchamp to John Cage to George Brecht
Rachael Churner
Hans Haacke’s Zero Hour