Athanor 32

Athanor XXXII (2014)

Justin Greenlee
Quod Vocatur Paradiso: The Pigna and the Atrium at Old St. Peter’s

Sarah C. Simmons
The Seal of Approval: Visualizing Patriarchal Power and Legitimacy in Ninth-Century Constantinople

Sabena Kull
Spinning a Common Thread: Popular Paintings of the Child Virgin in Seventeenth and Eighteenth-Century Seville and Peru

Kristi M. Peterson
Discourses of Power: Andean Colonial Literacies and the Virgin Mary of the Mountain

Akeem Flavors
Framing the Botanical: Picturing Nature and Painting the Castes of Eighteenth-Century Mexico

J. Cabelle Ahn
The Ruins of Iconologie: Redefining Architecture in Jean-Charles Delafosse’s Desseins

Naomi Slipp
For the Edification of All: Nineteenth-Century American Medicine, Art, and the Role of the Classical Cast in Cultural Life

Alissa R. Adams
Politics, Prints, and a Posthumous Portrait: Delaroche’s Napoleon in his Study

Carlee S. Forbes
Creativity in the Congo Free State: Nineteenth and Twenteeth-Century Funerary Mats

Jennifer Baez
Constructing the Nation at the 1955 Ciudad Trujillo World’s Fair

Samantha Karam
Challenging Ideologies: Contrasting Dorothea Tanning’s Mid-Twentieth Century Animal Paintings with Contemporary South Africa