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Baron FitzGibbon

Gilbert Stuart1789

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

A fearless politician who engineered the act of uniting Ireland with England, FitzGibbon was the newly appointed Lord Chancellor of Ireland (whose duties included that of chief judge) when Stuart painted his portrait. The crownlike upper portion of FitzGibbon's mace, or ceremonial staff, is seen on the table at the right. Propped against the table is a satin and velvet purse embroidered with the royal coat of arms. Worn around the neck like an apron, the purse held the official texts of FitzGibbon's speeches. At the time he painted this work, Stuart was living in Dublin, having spent a dozen years in London. In fact, his Irish patrons regarded him as a British painter. Stuart returned to his native America in 1793, where he remained the rest of his life.

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  • Title: Baron FitzGibbon
  • Creator: Gilbert Stuart (American, 1755–1828)
  • Date Created: 1789
  • Physical Dimensions: Framed: 272 x 181 x 11 cm (107 1/16 x 71 1/4 x 4 5/16 in.); Unframed: 245 x 154 cm (96 7/16 x 60 5/8 in.)
  • Provenance: Baron John FitzGibbon, 1st Earl of Clare [1748-1802], County Limerick, by descent to his sons, John Fitzgibbon, 2nd Earl of Clare [1792-1851] and Richard Hobart Fitzgibbon, 3rd Earl of Clare [1793-1864], sons of Baron FitzGibbon1, Alexander James Beresford-Hope [1820-1887], Bedgebury, Kent, by descent to his son, Alexander James Beresford-Hope1, Alexander James Beresford-Hope, Bedgebury, Kent1, Isaac Lewis, Esq. [1849-1927], Bedgebury, Kent, (Bedgebury Mansion sale, Knight Frank & Rutley, London, May 12-19, 1919, no. 23, sold to Knoedler & Co.)1, (Knoedler & Co., New York, NY, sold to the Cleveland Museum of Art), The Cleveland Museum of Art, Cleveland, Ohio
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1919.910
  • Medium: oil on canvas
  • Fun Fact: This portrait was painted on a large piece of textured linen, likely a tablecloth.
  • Department: American Painting and Sculpture
  • Culture: America, 18th century
  • Credit Line: General Income Fund
  • Collection: American - Painting
  • Accession Number: 1919.910
The Cleveland Museum of Art

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