Whereas batik cloths were originally made by Javanese women at home, for their own family’s use only, along the north coast of Java, Peranakan Chinese entrepreneurs developed batik industries where they produced batik for various categories of customers, who all preferred their own style of motifs and colours.
This hip cloth has two designs in contrasting colours in synthetic dyes, divided by a diagonal line. This design is called pagi sore (morning-afternoon/early evening) and could be worn in two ways. To allow the motifs and the person to stand out, the dark or sore section of the hip cloth was worn during daytime. Vice versa the light – pagi – section served as an evening dress. The main motifs on the lighter half consist of dancing peacocks and double wings on a background of small white flowers and foliage in pastel shades of pink, blue, and ochre. These pastel colours were very much favoured by Peranakan Chinese ladies. With its tail feathers the peacock represents beauty and dignity, both in Chinese and European symbolism. The double wings motif is one of the larangan, the ‘forbidden’ batik patterns that originally were for the exclusive use of the rulers of the Central Javanese courts and their close relatives. The dark green section depicts large bouquets (buketan) in European style. For a lively effect a fluttering butterfly and a bird were added. The cloth is signed by (the workshop) of Oey Soe Tjoen and his wife Kwee Tjoen Giok, a renowned batik craftsman from Kedungwuni, near Pekalongan.
Kedungwuni, Java; 1930-1950; cotton, synthetic dyes