Bernstein’s Annotated Copy of Romeo and Juliet.

Throughout this volume Bernstein made several notes for adapting Shakespeare’s play into a contemporary musical. In its early stage of development Jerome Robbins, Arthur Laurents, and Leonard Bernstein considered replacing the feuding artistrocratic families with a Catholic and Jewish family. On the inside cover is a scene breakdown suggesting that the show open either at the Mulberry Street Festival or during Easter and Passover. Elsewhere, Bernstein’s notes suggest that a song entitled “Song on Racism” instead be entitled “It’s the Jews.” At the top of the title page, Bernstein writes “An out and out plea for racial tolerance,” and in the margin “Should be prologue interrupted by street fight.”