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Bowl, Nezumi-Shino type, Mino ware / Wagtail design

Azuchi-Momoyama - Edo period, 16th - 17th century

Tokyo National Museum

Tokyo National Museum
Tokyo, Japan

Iron oxide slip called oniita is applied to white clay unique to Mino, on which a motif is engraved via kugibori (a type of line engraving that makes the surface look like it is carved with a nail) and then a feldspathic glaze is applied. By using a technique based on the idea contrary to that of Shino ware that applies a rusty painting on the white surface, the Nezumi-Shino (gray Shino) ware that applies an outline motif on the gray surface was born.This bowl has a tripod on its small bottom and the mouth that widely opens from the body is bent on all sides, displaying a spontaneous, free atmosphere. Iron oxide slip is applied casually from the inside to the outer surface of the bowl. Since something that looked like a rock accidentally appeared on the surface, it was used as a rock and a wagtail and river waves were engraved on it, while bamboo leaves were painted on it using iron pigments. The bluish color, which was probably produced accidentally, is rare for Nezumi-Shino ware and looks nice on the river scene. The clever representation created by a prompt response to the natural process of firing has successfully produced a lively, three-dimensional scene. There are four meato (traces of a base on which the item was placed when firing) on the back of the bottom. This is one of the best among the Nezumi-Shino ware.

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  • Title: Bowl, Nezumi-Shino type, Mino ware / Wagtail design
  • Date Created: Azuchi-Momoyama - Edo period, 16th - 17th century
  • Physical Dimensions: w285 x h110 mm
  • Object Title: 鼠志野鶺鴒文鉢
  • Object Notes(Japanese): 美濃独特の白い土に鬼板とよばれる酸化鉄の泥漿(でいしょう)を塗り、これを粗く釘彫りで掻き落として、長石釉をかける。白い器面に銹絵の描かれた志野とは逆想の創作によって、鼠色の器面に白抜きの模様の鼠志野が生まれたのである。 この鉢は小さめの底部に三脚を付け、腰からゆったりと開いた口縁は四方からたわめられ、そこには何ものにもとらわれることのないおおらかさが感じられる。そして見込から側面にかけて実に無造作に酸化鉄の泥漿を掛ける。そこにたまさか岩のような姿が現れると、これを岩座に見立て、一羽の鶺鴒と川の流れがつくる波を掻き落とし、岩座には鉄絵で笹を描いた。おそらく偶然であろうが、鼠志野としては珍しい青味がかった色合が川面の風情にふさわしい。あくまでも自然の流れの中で一瞬を捉えたこの当意即妙の表現は、見事に成功し、動きのある立体感あふれた場面が表出した。底裏には目跡が4個残っている。鼠志野を代表する作品である。
  • Object Date: 安土桃山~江戸時代・16~17世紀
  • Kiln(Japanese): 美濃
  • Kiln: Mino ware, Nezumi-Shino type
  • Type: Ceramic
  • External Link: http://www.emuseum.jp/detail/100527
Tokyo National Museum

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