In 1884 city of Calais decided upon Rodin as the creator of the monument of the benefactor of the city, Eustache de Saint-Pière, after long contemplation. During the Hundred Years War when the King of England crossed the English Channel and encircled the city of Calais in 1347, five of the burghers of the city as well as Eustache went as hostage to the English camp to plead for the safety of the people of the city. Rodin, moved by the chronicle written by Froissart, created a group of six despairing and suffering figures, instead of a monument of unique figure, Eustache. The burghers hold the keys of the city in their hands, have ropes around their necks and walk barefoot as they leave the city gates. The city fathers of Calais, who expected heroic figures, did not understand Rodin's suffering and solemn figural expression and refused it. As a result, the work was not unveiled in Calais until seven years after its completion. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no. 138)
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