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"Byeri" figure

Unknown1800/1919

Museo Nacional de Antropología, Madrid

Museo Nacional de Antropología, Madrid
Madrid, Spain

This sculpture, called a “Byeri,” belonged to the Fang peoples—a cult devoted to ancestral worship in Fang culture. These figures, with elongated bodies, bent legs, prominent belly buttons, and a long rod at their back, were used to protect the deceased from evil forces. They were kept in tree-bark boxes in the belief that part of their power was stored there. The carving of a “byeri” required a special ritual, which included sexual abstinence on the part of the sculptor. Once finished, the figures were blackened and covered with palm oil, and held a place of honor in the family home. In addition to their role as “relic guardians”, people consulted the “byeri” about the most important life events in the community and they were regularly used in collective rituals where they were adorned with feather plumes, bronze anklets, and multicolored beaded necklaces. This figure is supported by a wooden stand with a glass base, a design which emerged from 1919 onwards in place of being positioned on boxes containing ancestral remains.

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  • Title: "Byeri" figure
  • Creator: Unknown
  • Date Created: 1800/1919
  • Physical Dimensions: w11 x h58 x d11 cm
  • Provenance: Collection assembled by voyager and entomologist Manuel Martínez de la Escalera (1867-1949), one of the main Spanish expeditionary naturalists around the turn of the 19th century. In 1919, he was commissioned by the Museum of Natural History of Madrid to take a voyage to Equatorial Guinea to gather a collection of insects. On this voyage, he was accompanied by his son, Fernando, who was an associate at the National Museum of Anthropology, Ethnography, and Prehistory, and was charged with the task of collecting ethnographic material representative of the country's cultural diversity.
  • Type: Sculpture / Ritual Objects
  • External Link: CERES
  • Photographer: Pablo Linés Viñuales, 2009
  • Materials: Wood, metal, glass
  • Cultural Context: Okak, Fang, Equatorial Guinea
Museo Nacional de Antropología, Madrid

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