This issue of Cahiers du Cinéma focuses on the intersection of cinema and museums, examining the increasing presence of film within museum spaces and the impact this has on the art form. A major feature covers Jean-Luc Godard's exhibition at the Centre Pompidou, exploring his work in relation to the museum context, while other articles discuss exhibitions of Almodóvar, Kiarostami/Erice and Varda. The magazine also includes essays on the role of cinema within museums, including dialogue between Dominique Païni and Bernard Stiegler and features on the curatorial strategies of the MOMA. Additionally, the issue reviews new releases like *V pour Vendetta*, *Inside Man* and *El aura*, and also investigates the concept of "subtil" cinema, a new wave of filmmaking that explores the boundaries of representation. Finally, the "Répliques" section includes an analysis of Rossellini and Friedkin’s directorial style as a response to modern realism and action film.
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