Cahiers du cinéma n°687 - March 2013

This issue of the French film magazine focuses on several key themes and personalities. It features a major interview with Harmony Korine about his film *Spring Breakers*, exploring his creative process, the film's themes, and his relationship with the actors. There is a substantial feature on Bruno Dumont's *Camille Claudel 1915*, including an interview with Dumont about his methods, his work with Juliette Binoche, and the film's specific use of space, as well as an interview with Binoche about her work on the film. An extensive section is dedicated to the work of the late Nagisa Oshima, with essays on his style, his politics, and an unreleased article by the director himself, along with various Japanese tributes. Finally, an interview with Jean-Jacques Schuhl provides insights on his literary style and his connections to cinema, particularly with the work of Jean Eustache. Other highlights include reviews of new films, including *No*, *À la merveille*, *Bestiaire*, and *Mystery*, and the journal section covers topics like the appointment of Olivier Père as director of Arte France Cinéma, the state of the distribution market in the UK and a tribute to Japanese cinema in Tokyo.