Cellar Under the Rams – Halina Wyrodek and Jacek Wójcicki

Singer Halina Wyrodek dueting with Jacek Wójcicki at the Cellar Under the Rams. After WWII, Poland found itself behind the Iron Curtain, becoming part of the Eastern Bloc, and joined the states under Soviet control. Until 1989, communism was the order of the day and it decreed a unified, top-down template that applied to all activities, including arts and culture. Back then, the primary function of cultural institutions was to sing the praises of the communist state. But even during these hard times there were places, organisations, movements that provided enclaves of - admittedly, limited - freedom, of respite from the oppressive and bleak reality of the Polish People’s Republic. The Cellar under the Rams, a literary cabaret housed in the basement of Potocki Palace in the Old Town’s Main Square in Kraków, was one of such distinctive phenomena. Founded in 1956 by the then students, among others its artistic director Piotr Skrzynecki, visual artist Bronisław Chromy, and composer Krzysztof Penderecki, it soon skyrocketed to fame. This unassuming basement became the stamping ground for Kraków intellectual and artistic circles: physicians, lawyers, painters, photographers, writers, musicians, sculptors, actors, film and theatre directors. It was a magnet both for celebrity scientists and for bohemians. Performances staged in The Cellar, song lyrics, outdoor events, and zany jubilee bashes laid bare the absurdities of the system. To artists and audiences alike, they served as a counteraction to the complex and hypocritical lived experience of communist Poland. In the 1960s, jazz music, which the state authorities did not endorse, also found a safe haven there. Soon, Piotr Skrzynecki (1930-1997) became the driving force of The Cellar. A living legend in his lifetime, Skrzynecki was an eccentric compere, an unparalleled improvisor, an all-round artist, and a mover and shaker behind events organised on-site. In 1989, artists associated with The Cellar - not unlike the majority of Polish society - rejoiced at the fall of communism in Central Europe.
Skrzynecki died in 1997, closing behind the original chapter in the history of the most notable late twentieth-century Polish cabaret. Countless esteemed artists graced The Cellar’s stage, including pianist Krzysztof Komeda, trumpeter Tomasz Stańko, singer Ewa Demarczyk, and film score composer Zbigniew Preisner. In its heyday, the club enjoyed a wide network of high-profile friends and well-wishers, such as film director Andrzej Wajda, writer and Nobel Laureate Czesław Miłosz, playwright Sławomir Mrożek, and journalist Jerzy Turowicz. The cabaret remains active to this day: some of the old-time artists are still around, just as they were thirty or forty years ago; seasoned audience members still frequent the club, introducing new generations to the legendary haunt.
Halina Wyrodek (1946-2008) – one of the flagship artists of The Cellar under the Rams, where she made her debut - upon Piotr Skrzynecki’s invitation - in 1974. Although she was also an actress in her own right - she performed both on stage (Scena STU Theatre in Kraków, Juliusz Słowacki Theatre in Kraków) and in films (worked with leading Polish directors, such as Feliks Falk, Kazimierz Kutz, Juliusz Machulski, and Radosław Piwowarski), her fame grew mainly thanks to her creative association with the cabaret. There, she became recognised as an unparalleled performer of poetry, which she sang in her raspy, low voice. The Cellar offered her artistic freedom and self-expression through often improvised shows. Her rendition of Our Youth (Pol. Ta nasza młodość), a song by Zygmunt Konieczny with the lyrics by Tadeusz Śliwiak, is considered her professional game-changer. The composition joined the ranks of the cabaret’s evergreens, becoming perhaps the most important entry in The Cellar’s catalogue. Year in and year out, audiences frequently refused to leave the club unless the song was performed as the show’s finale. To this day, Halina Wyrodek’s interpretation packs an emotional punch. At the age of 62, the artist died of cancer. She was buried in her hometown of Olkusz.