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Ceremonial Axe (gano)

1900s, by 1928

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

This ceremonial axe (<em>gano</em>) showcases its maker’s skill in using different materials. The crescent-shaped blade was likely locally forged; braided wires and a Swiss pocket watch fragment on the handle were imported. Like the headrest nearby, gano were gendered female; a small headrest is carved at top. Too fine for battle, a man may have held it as a status or ancestral symbol during rituals or dancing. Though made for centuries, religious use of knives and axes waned due to early 20th-century Christianity and government laws. Rising independence-era Zimbabwean nationalism (1960s–70s) revived tradition-based religion and associated objects like the gano.

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  • Title: Ceremonial Axe (gano)
  • Date Created: 1900s, by 1928
  • Physical Dimensions: Overall: 15.8 cm (6 1/4 in.)
  • Provenance: Collected by Paul B. Travis on behalf of the Gilpin Players at Karamu House and the African Art Sponsors, The African Art Sponsors and the Gilpin Players, The Cleveland Museum of Art by gift
  • Type: Arms and Armor
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1929.364
  • Medium: Iron, wood, and metal
  • Fun Fact: This ceremonial axe has a half-moon piece of metal nailed to it, marked "EKB Depose." It is part of the mechanism for a pocket watch made by Edward Kummer of Bettlach, whose Swiss factories marked watches with his initials between 1888 and 1932.
  • Department: African Art
  • Culture: Southern Africa, Zimbabwe, Shona-style blacksmith-carver
  • Credit Line: Gift of the African Art Sponsors of Karamu House
  • Collection: African Art
  • Accession Number: 1929.364
The Cleveland Museum of Art

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