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Charger Depicting the Three Graces

Giorgio Andreolic. 1525

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

During the Renaissance, an understanding of classical antiquity was perceived to be a sign of social, intellectual, and economic distinction. Scenes from Greco-Roman mythology were prominently featured on maiolica, covering the surface in a style called <em>istoriato </em>(decorated with stories). This depiction of the three graces was likely based on an engraving by the Renaissance printmaker, Marcantonio Raimondi.

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  • Title: Charger Depicting the Three Graces
  • Creator: Maestro Giorgio Andreoli (Italian, 1465?–1553)
  • Date Created: c. 1525
  • Physical Dimensions: Diameter: 44.8 cm (17 5/8 in.)
  • Provenance: Alexander Basilewsky [1829-1899], Paris., State Hermitage Museum, St. Petersburg., (Rosenberg & Steibel, Inc., New York).
  • Type: Ceramic
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1945.2
  • Medium: tin-glazed earthenware with gold lustre (maiolica)
  • Inscriptions: this plate has been broken and mended; in the repair, signature and date have disappeared. According to catalogue by A. Darcel and A. Basilewsky (Collection Basilewsky, No. 420) name and date were on the plate.
  • Fun Fact: In Greek mythology, the three graces represent the daughters of Zeus who embodied charm, beauty, and creativity.
  • Department: Decorative Art and Design
  • Culture: Italy, Urbino region, Gubbio, 16th century
  • Credit Line: Purchase from the J. H. Wade Fund
  • Collection: Decorative Arts
  • Accession Number: 1945.2
The Cleveland Museum of Art

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