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Christ and the Virgin in the House at Nazareth

Francisco de Zurbaránc. 1640

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Stories of Christ’s childhood and adolescence became increasingly popular during the Counter-Reformation because they were easily understood by a broad public. Rather than taking a story from the Bible, Zurbarán appears to have invented this subject, in which Jesus pricks himself on a crown of thorns he is weaving, foretelling his later torment at the Crucifixion. Despite the grand scale and monumental figures, the work has remarkable intimacy and quietness, emphasizing such details as the Virgin’s tears.

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  • Title: Christ and the Virgin in the House at Nazareth
  • Creator: Francisco de Zurbarán (Spanish, 1598–1664)
  • Date Created: c. 1640
  • Physical Dimensions: Framed: 201 x 256 x 10 cm (79 1/8 x 100 13/16 x 3 15/16 in.); Unframed: 165 x 218.2 cm (64 15/16 x 85 7/8 in.)
  • Provenance: The Cleveland Museum of Art, Cleveland, Ohio, (François Heim, Paris, sold to the Cleveland Museum of Art), Various private collections in France, (Probably Walterstorff sale, Laneuville, Paris, March 26-27, 1821, no. 65, sold to Laneuville)1, Probably the Count of Walterstorff [1755-1820]1
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1960.117
  • Medium: oil on canvas
  • Fun Fact: Zurbarán, also a still-life painter, tilts the tabletop to emphasize the symbolic books and fruit.
  • Department: European Painting and Sculpture
  • Culture: Spain, 17th century
  • Credit Line: Leonard C. Hanna, Jr. Fund
  • Collection: P - Spanish before 1800
  • Accession Number: 1960.117
The Cleveland Museum of Art

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