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Christ carrying the Cross

Joachim Beuckelaer1562

The National Museum of Western Art, Tokyo

The National Museum of Western Art, Tokyo
Tokyo, Japan

This is an early period work by the 16th-century Flemish painter Beuckelaer. Jerusalem can be seen in the upper left, while Golgotha, the site of the Crucifixion, appears in the right background. Christ is shown in the central foreground, stumbling under the weight of the cross he carries towards Golgotha. Soldiers urge him on, raising staves and pulling on his shackles. Simon of Cyrene, tries to help Christ carry the cross, while the high priest, Pharisees and Roman commanders walk ahead of and behind Christ. The right edge of the foreground shows Madonna collapsed with grief, aided by several women and St. John the Evangelist. This type of “"tage set-like": composition of Christ Carrying the Cross, with Jerusalem and Golgotha shown in the background, a central rocky hill, and a small path in the center, is frequently found in Netherlandish and German painting from the 15th century onwards. Beuckelaer based his work on such earlier examples but used a sketch-like brushwork not found in 15th-century Netherlandish painting, and thus gave his painting a sense of vivid movement. This type of rough brushwork is frequently seen in small-scale works for private individuals, and it can be considered a means of responding to high demand for such works. However, the central figures, whether Christ or the Madonna, are shown in careful finish, clearly an intentional difference from the surrounding sketchy depiction. This element of contrast suggests that this work should be considered an experiment with the new painting techniques being developed in the 16th century.(Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no. 24)

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  • Title: Christ carrying the Cross
  • Creator Lifespan: c. 1534 - c. 1574
  • Creator Nationality: Flemish
  • Creator Gender: Male
  • Creator Death Place: Antwerp
  • Creator Birth Place: Antwerp
  • Date Created: 1562
  • Location Created: Flanders
  • Signatures, Inscriptions, and Markings: Signed (in monogram) and dated lower right: JB 1562
  • Provenance: Collection Dr. Lenoir, Munich, 1850; Collection Hassler, Zurich, 1865; H. Appenzeller, Zurich, 1898; Frau Dr. Farmer-Hasseler, Zurich, 1950; G. Cramer, The Hague, 1959; Collection Dr. Wetzler, Amsterdam; Sotheby Mak van Waay, Amsterdam, 1977; Private Collection, Germany; Jack Kilgore Gallery, New York.
  • Physical Dimensions: w790 x h965 mm
  • Painter: Joachim Beuckelaer
  • Object title (Japanese): 十字架を運ぶキリスト
  • Object notes (Japanese): 16世紀フランドルの画家ブーケラールの、最初期の作品である。画面左の奥にエルサレム市、右の奥にはゴルゴタの丘の磔刑場が配されている。中央の前景に表わされたキリストは、ゴルゴタへの道行きの途上、十字架の重みによって跪き、棒を振り上げあるいは腰縄を引く兵士たちによって前進を促されている。キリストを助けて十字架を担おうとしているのはキレネのシモンで、祭司長、パリサイ人、ローマ人の指揮官が前後を騎行している。前景の右端には、くずおれた聖母マリアを助け起そうとする女たちと、福音書記者ヨハネの姿が描かれている。このように、画面両端の遠景にエルサレムの街とゴルゴタの丘を描き、前景中央の岩山と小径によって整えられた舞台にキリストを配した構図の「十字架を運ぶキリスト」図は、15世紀以来、ネーデルラントやドイツでしばしば描かれている。ブーケラールはこうした構図を踏襲しつつ、それを15世紀のネーデルラント絵画には見ることのできなかったスケッチ風の描写によって仕上げることで、画面に生動感を与えた。こうした粗い筆致の作品は個人向けの小品にしばしば見られ、多数の需要に応じる手段とも考えられる。しかし、キリストやマリアを中心とする主要な群像の丁寧な仕上げと周囲のスケッチ風の描写が意図的に対照されていることからすれば、本作品はやはり、16世紀に生まれた新たな絵画技法の試みとして評価することができるだろう。(出典: 国立西洋美術館名作選. 東京, 国立西洋美術館, 2006, cat. no. 24)
  • Artist Name (Japanese): ブーケラール、ヨアヒム
  • Type: Paintings
  • Rights: http://www.nmwa.go.jp/en/information/privacy.html
  • External Link: The National Museum of Western Art, Tokyo
  • Medium: Oil on panel
The National Museum of Western Art, Tokyo

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