Arnold Schönberg altered traditional frameworks and distanced himself unconditionally from solutions to problems that were merely handed down. His high regard for craftsmanship is not only concerned with music and its teachings. Schönberg’s love for the realisation of ideas is perceptible in all media, sound as well as the visual image and writing, and also in three-dimensional objects whose materiality and vocabulary provided an outlet for expression and design. It indicates a specific attitude which alternates between bricolage, design and engineering.