«Croce Taravella uses the long shot for codifying his ideal city. He is not interested to details but to the wide panorama, a perspective as “vedutismo” based on the vanishing point, son of an Italian classic heritage», according with the critic Gianluca Marziani. The Taravella's cities are conceived as an overlapping in which the perspectives multiplying get lost in the infinite: when you follow the track of the perspective suddenly you find yourself lost in another point.