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Corn and Cantaloupe

Raphaelle Peale1813

Crystal Bridges Museum of American Art

Crystal Bridges Museum of American Art
Bentonville, United States

When Peale’s Corn and Cantaloupe was first shown in Philadelphia in 1814, the painting held personal associations for the artist and national symbols for its viewers. The prominently placed corn was not just a local crop, but was also already identified as an icon of early American history and stories. The painting’s array of vegetables and fruit were cultivated on farms and in hothouses near the artist’s family home. The cantaloupe, an Anne Arundel melon, was named after the Maryland County where his mother was born— and where the painting’s first owner lived.

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  • Title: Corn and Cantaloupe
  • Creator: Raphaelle Peale
  • Date Created: 1813
  • Physical Dimensions: 14 1/2 x 19 1/2 in. (36.8 x 49.5 cm)
  • Provenance: Provenanceto Dr. Benjamin Lee [1791-1863], Oak Hill, Prince George's County, MD; by descent to Eleanor Belt Lee (his wife), 1863; to Violetta Lee Harding [d. 1910] (her daughter), 1865; by bequest to Eleanora Belt (her sister), 1910; to Benjamin Lee Belt (her son), 1915; William Seton Belt [d. 1959] (his brother), 1935; to Estate of William Seton Belt, 1959; traded to Fredus Proctor, Shady Side, MD, 1959; (Robert Campbell's Auction, Annapolis, MD), early 1970s; purchased by Eric Young, Crownsville, MD, early 1970s; (Harris Auction Gallery, Baltimore, MD), June 14, 1987 (as Early Still Life on Panel); purchased by (John's Antiques, Baltimore, MD), 1987; to Private Collection, 1989; Private Collection; to (Christie's, New York, NY), November 29, 2007, sale 1911, lot 91; purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2007
  • Subject Keywords: still lives, corncobs, fruit
  • Rights: Crystal Bridges Museum of American Art, Bentonville, Arkansas., Photography by Dwight Primiano.
  • External Link: Crystal Bridges Museum of American Art
  • Medium: Oil on panel
Crystal Bridges Museum of American Art

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