Crocodile-skin suit of armour


British Museum

British Museum

In ancient Egypt the crocodile was seen as sacred and divine, and worshipped as a god, so this suit might have been worn by priests of the crocodile sect who by wearing such a garment would take on the spirit of the deity. In many parts of Africa the crocodile is seen as a fearsome and invincible creature and so I think that by wearing crocodile armour and a headpiece like this, a warrior might be transformed in some magical way and take on the attributes of the animal.' Fowokan George Kelly, of Jamaican origin

When the province of Egypt became part of the Roman Empire, it put Romans into direct contact with Egyptian culture and religion. In Egypt Roman garrisons were closely integrated into civic and religious life and participated in local cults. Around Manfalout, on the banks of the Nile in central Egypt, Roman soldiers were particularly attracted to the crocodile cult centred on the sacred grottoes of the region.

This imposing armour is made from the skin of a crocodile. It comprises a helmet and cuirass (body armour) and would have been used in military-style ceremonies of the regional crocodile cult. The skin has been radio-carbon dated to the third century AD. It was presented to the British Museum in 1846 by a Mrs Andrews, who was among a group of European travellers to Manfalut who found grottoes containing the mummified remains of humans and animals, including many crocodiles.

Although the cold, dry environment of the grotto preserved the suit well, the cuirass in particular was flattened and brittle. It has been painstakingly remoulded by the British Museum's Department of Conservation.

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  • Title: Crocodile-skin suit of armour
  • Date Created: 200/399
  • External Link: British Museum collection online
  • Technique: sewn
  • Registration number: 1846,0501.9
  • Place: Found/Acquired Manfalut
  • Period/culture: Roman
  • Material: crocodile skin
  • Copyright: Photo: © Trustees of the British Museum
  • Acquisition: Donated by Andrews, Edward James