Crucifixion

This small panel was part of a series of paintings illustrating the story of Christ’s suffering and crucifixion. The pictures were most likely part of the predella (the base beneath the main panels) of a large altarpiece. The artist followed iconographic traditions established in the thirteenth century. For example, the drapery of Christ’s long loincloth appears to rise in the air, symbolically suggesting his resurrection. The blood from the wounds in his hands, side, and feet emphasizes his blood sacrifice to redeem humanity. Adam’s skull, directly below the cross, stands for original sin.