This drawing belongs to a group of preparatory studies for Jacques-Louis David's painting <em>Cupid and Psyche, </em>also in the Cleveland Museum of Art's collection. Here, David integrated looser charcoal sketches into a finished work in which his composition was fully established. Only minor details, such as Cupid's facial expression, were ultimately changed. In layers of diluted gray wash and outlines of black ink, David evoked the precise appearance of his final canvas using monochromatic media.