Zoffany’s tender picture of the actor David Garrick saying farewell to his Austrian wife, Eva Marie Veigel, is emblematic of an eighteenth-century ideal of marital love as affectionate and sentimental. Garrick is represented on the steps of his Temple to Shakespeare in the garden of his rural retreat at Hampton. Garrick idolized Shakespeare and created a virtual cult to his memory in the period. Here he says goodbye to Eva as a boatman waits on the river to take him back to his work in London, managing the Drury Lane Theatre and performing on stage.
Gallery label for Love, Life, Death, and Desire: An Installation of the Center's Collections (Yale Center for British Art, 2020-11-01 – 2021-02-28)