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Destruction of Tyre

John Martin1840

The Toledo Museum of Art

The Toledo Museum of Art
Toledo, United States

Teetering between the supernatural and the sensational, John Martin’s apocalyptic scene embodies the concept of “sublime terror.” The idea of the Sublime, popular in art and literature from the late 1700s to the mid-1800s, was often expressed by awe- or fear-inspiring images of nature, Gothic supernatural horrors, or divine retribution.

Martin paints a lurid vision of the Old Testament account of Ezekiel’s prophecy warning of the destruction of the city of Tyre. Towers and buildings topple as waves pound them; lightning strikes; ships sink; and a lone, richly dressed woman in an ornate boat raises her arms to the sky in terror and lamentation. A wealthy seaport on the coast of Lebanon, Tyre is described in Ezekiel 26 as bringing the vengeance of God upon itself for turning against Jerusalem. The city was destroyed not by catastrophic storms, but by the armies of the Babylonian king Nebuchadnezzar. Verse 19, however, provided Martin with his inspiration: “when I shall bring up the deep upon thee, and the great waters shall cover thee….”

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  • Title: Destruction of Tyre
  • Creator: John Martin
  • Creator Lifespan: 1789 - 1854
  • Creator Nationality: British
  • Creator Gender: male
  • Creator Death Place: Douglas, Isle of Man
  • Creator Birth Place: Haydon Bridge, England
  • Date Created: 1840
  • Physical Location: Toledo Museum of Art, Toledo, Ohio
  • Location Created: Europe, England
  • Physical Dimensions: Painting (H x W): 33 × 43 1/8 in. (83.8 × 109.5 cm) Frame (H x W x D): 43 1/8 × 53 1/2 × 2 3/4 in. (109.5 × 135.9 × 7 cm)
  • Subject Keywords: seascape; outdoor scene; storm; boat; waves; woman; ruins; city; lightning; clouds; buildings; sublime; nature; power; prophecy; Ezikiel; ship; ocean; collapsing buildings
  • Type: Painting
  • Rights: https://toledomuseum.org/collection/image-resources/
  • External Link: Toledo Museum of Art, Toledo, Ohio
  • Medium: Oil on canvas
  • Fun Fact: Teetering between the supernatural and the sensational, John Martin's apocalyptic scenes play to Edmund Burke's concept of "sublime terror." The idea of the sublime—often expressed by awe- or fear-inspiring images of Nature, "Gothic" supernatural horrors, or divine retribution—had been taken up by many British artists and poets in the late 1700s to mid-1800s, including William Blake, Lord Byron, and even J.M.W. Turner (see 1926.53). Martin specialized in vast landscapes or fantastic architectural settings peopled by tiny figures struck down by God's wrath or struggling against the overwhelming power of Nature. Here he paints a lurid vision of the biblical account of Ezekiel's prophecy warning of the destruction of the city of Tyre. Towers and buildings topple as waves pound them; lightning strikes; ships sink; and a lone, richly dressed woman in an ornate boat raises her arms to the sky in terror and lamentation. Once a wealthy seaport on the coast of Lebanon, Tyre is described in Ezekiel 26 as bringing the vengeance of God upon itself for turning against Jerusalem. Martin seems to take verse 19 as his inspiration: "For thus saith the Lord God: When I shall make thee a desolate city, like the cities that are not inhabited; when I shall bring up the deep upon thee, and the great waters shall cover thee…."
The Toledo Museum of Art

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