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Diogenes

Ugo da Carpi (Italian, c. 1479–c. 1532) and Parmigianino (Italian, 1503-1540)c. 1524–27

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Diogenes was a Greek philosopher who lived during the 300s BC. The bird in the background alludes to his cynical response to Plato, who had described man as a featherless biped. Diogenes plucked a rooster and brought it to Plato’s school, exclaiming, “Here is Plato’s man!” Ugo da Carpi was influential in the development of the chiaroscuro woodcut in Italy. The term chiaroscuro combines the Italian words <em>chiaro</em> (light) and <em>scuro</em> (dark). Invented to emulate drawings with light and dark pigments on tinted paper, the printing technique uses multiple woodblocks to layer different tones of color. This example, considered a masterpiece of Renaissance printmaking, uses four shades of green to render tonal values; the paper provides the lightest color in the composition.

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  • Title: Diogenes
  • Creator: Ugo da Carpi (Italian, c. 1479–c. 1532), Parmigianino (Italian, 1503-1540)
  • Date Created: c. 1524–27
  • Physical Dimensions: Sheet: 47.7 x 34.7 cm (18 3/4 x 13 11/16 in.)
  • Provenance: (Goodspeed's Bookshop, Boston, MA), The Cleveland Museum of Art, Cleveland, OH
  • Type: Print
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1923.1052
  • Medium: chiaroscuro woodcut (in four shades of green)
  • Inscriptions: lower left, in block: FRANCISCVS / PARMEN· / PER·UGO CARP, verso, upper center, in graphite: Sadeler 1757 / N° 4, upper right, in graphite: 10376, across center, in pen and brown ink: N 13 [t?]alla[nf?]o [I.vinton?] [entire inscription is upsidedown], lower left, in graphite: hos[...3--3--.], lower left, in pen and brown ink: [illegible monogram], lower left, in graphite: H. de Carpo after Parmesan / Diogenes B XII p.100.10;, lower right, in graphite: [illegible], lower right, in graphite: mp[n...?]/2250[the'50' is smaller, raised, and underlined]
  • Fun Fact: In his <em>Lives of the Artists</em> (1550), Giorgio Vasari described <em>Diogenes</em> twice, praising it as Ugo da Carpi's most accomplished and beautiful print.
  • Department: Prints
  • Culture: Italy, 16th century
  • Credit Line: The Charles W. Harkness Endowment Fund
  • Collection: PR - Chiaroscuro
  • Accession Number: 1923.1052
The Cleveland Museum of Art

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