Sun-Sentinel, Sunday, August 19, 1990
JUDGMENT
Gilberto Gil
BRAZILIAN
Gil pieces musical mosaic
GILBERTO GIL: O Eterno Deus Mu
Danca 'WEA
After a six-year absence, Brazil's
superstar singer-songerwriter returns with O
Eterno Deus Mu Danca (The Eternal God of
Change) sublimely subdued Brazilian-
flavored pop offering far removed from the
non-stop overdrive of his 1984 funkified reggae
release Raca Humana (Human Race).
Gil, 48, who was exiled between 1969-1972
as a political threat by Brazil's military
government, still wraps his political thought
in poignant, often sarcastic lyrics.
The best example of Gil's biting wit is on
De Bob Dylan a Bob Marley (From Bob Dylan
to Bob Marley), a delicious samba offering
that takes stab at Michael Jackson "because
besides becoming white he became sad."
Surprisingly, the weakest entry on the
album is the derivative pop/funk title track,
which features guest vocals from Gil's
fellow musical titan Chico Buarque.
The rest of the 10-song set showcases
Gil's ability - typical of many Brazilian
songwriters - to pen tunes filled with
fragments of flowing poetic imagery strung
together just loosely enough to allow the
listener to paint a personalized aural mosaic.
- JOHN LANNERT
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