tanto
não combina com a música. Eu não
consigo integrar aquilo numa coisa
que me interesse. O Blur parece um
pouco mais verdadeiro quanto a
isso, mas também não me excita
. Já ouvi também o Coldplay
mas sabe o que acontece? 0
Radiohead é muito bom, então não
sobra tanto espaço pra eu curtir
Coldplay. Tem coisa de que se fala
muito no Brasil, que são britânicas,
não necessariamente inglesas, como
o Belle & Sebastian . Eu ouvi os dis-
achei delicado, charmoso. Tem
de les tocaram no Brasil e can-
até alguma coisa de bossa nova, de
. Eles
becher
taram "Baby" no show. A menina can-
tou "Baby" em português!
! Mas eu não
vi, infelizmente. Um show inglês que
eu vi no Brasil e gostei foi do
Stereolab, que tem uma moça
francesa, Foi bonito à beça o show.
Bem tocado, cheio de charme. Mas
os ingleses sempre fazem muito tipo.
Todo grupo inglês é um pessoal
fazendo tipo. É fascinante, desde os
Smiths você sente muito isso. Bom,
desde os Smiths não, desde Brian
Ferry, Roxy Music.
Como você acha que os ingleses
ouvem a música brasileira?
Tem uma coisa engraçada, que a
música brasileira, a bossa nova, ter-
minou tendo uma presença mais
forte na Inglaterra na era pós-rock-
n'roll. Por um caminho
***
viesado,
mais por causa da Astrud (Gilberto)
do que por causa do João (Gilberto)
do Tom Jobim).
dobim), em grupos como
Matt Bianco e Everything but the Girl
Sade. Tem alguma coisa que tem
a ver com a Astrud, com a bossa
nova, como um fenômeno pop. Não
a bossa nova como expressão origi
nal de primeira linha, como foi a
influência que ela teve nos Estados
Unidos e na Europa continental. Ali,
foi maior entre os jazzistas, Miles
Davis, Stan Getz, Cannonball
Adderley, essas pessoas que ado-
ravam a bossa nova. Na Inglaterra
não teve essa presença, só mais
tarde, como um fenômeno
pop, com
um lado mais superficial da bos
nova. E até hoje está ass
assim, com
esse casamento de bossa com
drum'n'bass. É um dos clichés do
pop moderno. É uma coisa inglesa,
é engraçado, é bonito.
E o que você acha do funk carioca
estar começando a ser ouvido na
Inglaterra?
O funk carioca? Eu não sabia
que tinha alguém fora do Brasil
ouvindo essas coisas que são feitas
no Rio, porque são muito precárias.
ingleses
sempre
fazem muito
tipo. Todo
grupo
inglês é
um pessoal
fazendo
tipo. Desde
Brian Ferry
Jungle: How does feel to be play-
ing in London again? What can the
public expect from the show?
Caetano Veloso: Having lived in
London, it's quite a buzz playing over
here. I feel motivated. We're bringing
over the Foreign Sound show, with
the same band from Brazil. It should
be the same kind of thing. (See box
page 36).
Do you think there'll be a lot of
Brazilians?
Ah, as always. Whenever I play
London, the crowd is basically
Roxy Music 9, Brazilian. Or at least that's how it
e o seu
seems.
66 The
British are
very
affected,
and British
bands have
always been
a bit
pretentious.
From Brian
Ferry and
Roxy Music
onwards 29
Do you like this?
Of course. The last few times, I've
seen a few more British faces, peo
ple who've come along to check me
out, but the crowd is basically always
the same. There are lots of Brazilians
over here, and very few British peo-
ple know about
my work. It's different
in Italy, Spain, France, even in the
States, where there's a local fan
base that's interested in my music.
When you lived in London did you
keep up with what was going on
musically in the city?
I went to see
established bands to those that
see everything, from
were
just breaking through. Some
became immensely famous, others
didn't. Others gained cult status, like
Marc Bolan from T-Rex, who died. I
liked him. There were some things
that I got into very early on, like
Emerson, Lake and Palmer and Led
I was also into bands
Zeppelin. And I
like the Incredible String Band, who
no one remembers now, but were
really interesting. I saw The Faces. I
saw John Lennon playing with all the
other Beatles
except Paul
McCartney (laughs), and Yoko Ono.
I was also into an American duo
called Delaney and Bonnie, who
the time and
were big at the
then disap-
peared. I also saw a lot of jazz
artists at Ronnie Scott's. I saw Sarah
Vaughan and Ray Charles at the
Royal Festival Hall. I went to all the
Rolling Stones concerts while I was
in London. And
was great because
they were at the height of their
career. And I went to all the festi-
vals. I'm a Glastonbury pioneer
(laughs). I must have gone to the
first ever event which was small
but Pink Floyd were there and so
was Traffic. I also went to two festi-
vals on the Isle of Wight. The one
with Bob Dylan at the end and the
other with Jimmi Hendrix at the end.
And are you into any of the English
bands around at the moment?
He sings really well,
There are a few I like. I don't keep
up with the British music press, but I
hear bits and bobs here and there
from the most famous groups.
There's that guy from Radiohead
Tom York, right?
the band's good and so are the
albums, They've got a really beauti-
ful sound. I really like them. Oasis,
on the other hand, don't do anything
for me. They're so repetitive. They're
like a copy of the Beatles. And that
rebellious attitude of theirs doesn't fit
their music. It doesn't interest me at
all. Blur seem a
bit more authentic
but they don't
really interest me that
much either. I've also heard
Coldplay, but do you know what?
Radiohead are so good
good that I don't
really have much time for Coldplay
There's a British band that everyone
goes on about in Brazil, they're not
necessarily from England, called
Belle and Sebastian. I've listened to
their albums and they're
yre charming.
There's even a hint of Bossa Nova
there. They played "Baby" at a show
Brazil. The girl sang
Baby
Portuguese! Unfortunately I didn't get
I saw
Brazil and liked was Stereolab,
who've got a French
in
They
them. The show.nch girl singing
with
played well
, and were very engag-
ing. But the British are
are very affected,
and British bands are
are always a bit
pretentious. It's fascinating,
because, from the Smiths onwards,
you can see it clearly. Even before
the Smiths, with people like Brian
Ferry and Roxy Music.
How do you think the British see
Brazilian music?
What I find d amusing is that
Brazilian music, Bossa Nova in par-
ticular, has had much more of an
impact on British music in the post-
Rock'n Roll era. And in a diluted
way, through Astrud (Gilberto)
rather than João (Gilberto) and Tom
(Jobim). You
can hear her influence
But the Girl and
Matt Bianco
Sade. There's something to do with
Astrud and with Bossa Nova itself.
It's like a Pop phenomenon. It's not
like in the US and continental
ope, where
Everything
on groups like
notch
original expression, adored
above all by Jazz musicians such as
Miles Davis, Stan Getz and
Cannonball Adderley. This didn't
happen till later in the UK, and yet it
was a Pop phenomenon, with a
more superficial hint of Bossa. And
cover Feature
jungle drums.org #17 October 2004
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