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founder Dez
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VP of A&R
bsolute. The
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says that the
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nolds his own
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nething new;
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.. Bill Mays
Artists & Music
BRAZIL'S GIL PONDERS IMPACT OF SCIENCE
(Continued from preceding page)
In addition, Gil performs songs that
pay homage to Nascimento ("Sala Do
Som") as well as to bossa nova giants
Antonio Carlos Jobim (“De Ouro E
Marfim") and João Gilberto ("Um
Abraço No João").
In the past, Gil's international pro-
file has been aided by the fact that he
is a multilingual artist. He has record
ed in English, French, and Spanish.
"Chuck Berry Fields Forever," record-
ed in Portuguese and English, was a
staple in the '70s during the Montreux
Jazz Festivals.
His anti-racist manifesto "Touche
Pas A Mon Pote" ("Don't Touch My
Buddy") was a protest hymn against
France's fascist-rooted National
Front. It became a hit there as well.
"Quanta" also contains a French-
language song, "La Lune De Gorée,"
which talks about a place in Africa
where slaves were put on boats bound
for the Americas.
One of the few Brazilian artists who
REGGAE MUSIC
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has invested considerable time in build-
ing an international career, Gil has now
become widely known in Europe and
is a must-add artist in the lineup of the
continent's summer festivals.
But Gil notes that his 1998 slate of
shows will mark a gradual reduction
in global road work. “Next year, when
there is the World Cup in France, I
will complete 20 summers in Europe
without interruption," says Gil. "Then
I will begin to travel less often."
Describing his current show as
"more danceable," Gil blends materi-
al from "Quanta" with such rhythmic
classics as "Toda Menina Baiana" and
"Palco."
"
Music originally was a perfor-
mance art, and that is what I do,"
says Gil. “I could say I make albums
just to perform them in front of an
audience. I can't help feeling that my
recordings are never perfect; only
onstage can I reach the quality I am
looking for."
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