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don't blame us for what happened

Colectivo Ayllu

Biennale of Sydney

Biennale of Sydney
Sydney, Australia

“Through a labyrinthine tour of four stations (‘eat gold!, insatiable white conquero’; ‘our genders are ancestral drifts’; ‘Pachakuti mood’; and ‘Around the world: my body is a checkpoint / my body is a borderline’) this multimedia installation is proposed as an Andean huaca – fundamental Inca sanctuaries, tombs, mummies, sacred places and animals – which will act as a critique of Western and heteronormative constructions present in the Spanish colonial project inaugurated in 1492, in which dogs played a fundamental role as a tool of torture and oppression. This repressive project did not end in the colony.”

This installation by Colectivo Ayllu / Migrantes Transgresorxs is ‘a collaborative research and artistic-political action group formed by migrants, people of color, queer and sexual-gender dissidents from the ex-Spanish colonies’. Their brave installation draws upon long memories of colonial pain and inserts contemporary realities of violence from the ‘new dogs’ of racist institutionalised practice that most do not experience. This oppression from the border to the detention centre to modern technologies of control is for the collectove an extremely difficult and stressful way of living in the world. As they express: ‘In 2020 we, Black and Indigenous sodomites, are still alive and with wounds we dance the pain away.’

Alex Aguirre Sánchez, Born 1973 in Quito, Ecuador
Leticia / Kimy Rojas, Born 1969 in Guayaquil, Ecuador
Francisco Godoy Vega, Born 1983 in Santiago, Chile
Lucrecia Masson, Born 1981 in Ombucta, Argentina
Yos Piña Narváez, Born 1984 in Caracas, Venezuela

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  • Title: don't blame us for what happened
  • Creator: Colectivo Ayllu
  • Date Created: 2019/2020
  • Location Created: Artspace, Sydney
  • Physical Dimensions: dimensions variable
  • Provenance: Commissioned by the Biennale of Sydney with generous support from Australian Print Workshop and Open Society Foundations, and assistance from Acción Cultural Española (AC/E) and NIRIN 500 patrons. Courtesy the artists. Acknowledgments: We would like to say thank you to all the ancestors that has protected us in this process. Also we would like to acknowledge QPOC that collaborated with us in the production of this work: Cecilia Barriga, La Niña Mai, Danny Arcos, Angello Vivar, Navaja, Fátima Guariota, Nayare Montes, Daniela Ortiz, the Voguing’s workshop participants, Jeannette Tineo, Manuela Villa, Fabiana Castro, Ahmed, the team of the Australian Print Workshop and the Center for Artistic Residency of Matadero Madrid.
  • Type: installation
  • Rights: Biennale of Sydney
  • Medium: mixed media installation with print walls, video projections, audio and altar
  • Edition: 22nd Biennale of Sydney (2020): NIRIN
Biennale of Sydney

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