Double Fan Tower

This split-wood whittling achievement perplexed and enchanted Festival visitors in 1983. Artist William Richard perfected a wood carver’s form that originated in Europe and found a home in northwestern Maine, requiring skill, patience, and razor-sharp knives.

A signature skill learned in jail
William Richard was the patriarch of three generations of Acadian/French American loggers and wood carvers. He was born in 1900 in New Brunswick, Canada, and moved to northwestern Maine to seek work in the woods. As described by folklorist Peggy Yocom, William Richard’s delicate fan towers are “mind-tricking sculptures” that conjure birds in flight or dancers’ swirling skirts. This carving consists of two fans perched on a vertical shaft that includes two round “balls-in-cages.”

After working several years in logging camps outside Phillips, Maine, Richard married and helped raise five children. He provided for his family by working as a logger and whittling small pieces for sale on the side. In the early 1930s, he learned to make the fan towers through an unusual apprenticeship:

“It was 1933, during the Depression, and to make ends meet, Richard, like many area woodsmen and farmers, made and sold beer and wine to add to the $1 a cord they got for chopping wood. For his efforts, he was arrested by Sheriff Leavitt and slapped into the Franklin County Jail. There he met fellow French woodsman Raymond Bolduc who taught Richard how to make the fan towers, a traditional art form known especially in Finland, Sweden, and Russia. The fans were once made throughout the boundary area of the United States and Canada by woodsmen in winter logging camps…”

—Peggy Yocom, folklorist