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Dragon-head pitcher

Asuka period, 7th century

Tokyo National Museum

Tokyo National Museum
Tokyo, Japan

This ewer, currently in the collection of the Tokyo National Museum, was originally part of the Imperial Bequest to Hôryû-ji Temple. In Meiji 11 (1878), it was given back to the Imperial Household.The shape of this ewer, with the handle attached to a long neck and the main body expanding at the bottom, originated in the Persian Sassanian Dynasty (A.D. 226-642). Once thought to be made of silver, this piece was formerly designated a National Treasure as the Silver Dragon-Headed Vase (J. kohei). It was later found to be cast of bronze and plated with gold and silver.The stately dragon's head forms the spout and its slender body is extended as the handle. A butterfly hinge at its jaw by the handle serves as the lid, which can be opened by flipping up the dragon's head, thus allowing the user to pour with one hand. The dragon's eyes are inset with pale green glass. On the main body, which was thinly cast, four winged horses (Pegasus), delicately depicted in fine hairline engraving (J. kebori) and highlighted with gilding, face each other in two pairs. The body, the spout, and the lever were cast separately, and the neck and main body were completed on a lathe.This magnificent object, combining a Chinese dragon and the Persian Pegasus- traditional motifs of east and west-conveys a sense of power and energy in both design and form. Although it had been thought to originate in Tang-dynasty (618-c. 907) China, the molding of the dragon and the hairline engraving technique provide evidence that it may have been produced in seventh-century Japan.

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  • Title: Dragon-head pitcher
  • Date Created: Asuka period, 7th century
  • Physical Dimensions: w189 x h499 mm
  • Object Title: 龍首水瓶
  • Object Notes(Japanese): 法隆寺に伝わった水差し。明治11年(1878)、法隆寺から皇室に献納された「法隆寺献納宝物」(現在は国有、東京国立博物館に収蔵)の一つ。このような長い首と下にふくらむ胴に把手を取り付けた器形は、ササン朝ペルシャに源流をもち、一般に「胡瓶(こへい)」と呼ばれる。かつて銀製と考えられ、「銀龍首胡瓶(ぎんりゅうしゅこへい)」として国宝に指定されたが、鋳造した銅器に金、銀をメッキしたものとわかった。 いかめしい顔の龍頭が注口、細い龍身が把手となり、蝶番(ちょうつがい)で把手に留めた龍の上顎が蓋となっている。角を押すと蓋が開き、片手でも注ぐことができる。龍の眼には薄緑色のガラスがはめてある。全体に薄手に作られた胴部には、向かい合う2組の有翼の天馬(ペガサス)4頭を毛彫(細い線刻)し、金メッキで浮き立たせている。注口の部分、胴、台脚は別々に鋳られ、首と胴は轆轤(ろくろ)仕上げされている。 ペルシャの天馬、中国の龍という東西の伝統的なモチーフを組み合わせ、器形も文様も力強い躍動感にあふれた優品である。唐時代中国の作と考えられてきたが、龍の造形や毛彫の手法などから、7世紀の日本製とする見方が強くなっている。
  • Object Date: 飛鳥時代・7世紀
  • Type: Metalwork
  • External Link: http://www.emuseum.jp/detail/100214
Tokyo National Museum

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