الحزن الحلو

Tackling the Lebanese obsession with history, Tarazi playfully interrogates its questionable sources and selective archival practices, highlighting the role of the past as both origin and destination. With merciless realism intersecting both fiction and historiography, the artist articulates the spectacle of war as a syntax of the unimaginable, broken down piecemeal to a lived present. This archaeology of the now-time does not aim to restore, but rather, to represent a historical condition through fragments of anomaly and singularity. The field of representation, however, prevents distance and enclosure: It is a laboratory, a journal, a political inquiry, a memory site and a reality marker.