Description: The color red dominated Oviedo’s paintings in the mid-1970s and became an ill-defined environment where figures and bodies floated, free of gravity, at times disappearing into the ether and at others asserting their presence through a strong, dark outline. The strident, complementary colors of Eco Esteril compare to Gauguin, as well as Fauvism and German Expressionism, and the isolated figures in the foreground seem to be a response to Gauguin’s philosophical query. Their tormented state is a meditation on the existential fragility of humankind and the cruelty of human condition. -Text by Francesca Giani