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Egret and Reeds

Yang Ki-hun (Seuk-Eun) (Korean, 1843-1919?)late 1800s

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

In this hanging scroll, an egret walks along the shores of a salt marsh where reeds abundantly grow. Native to Pyongyang, the artist Yang Ki-hun had no rival in bird-and-flower themes. The Taedong River estuary, one of Pyongyang’s beloved natural sites, may have been Yang’s favorite spot to observe and sketch various water birds.

Yang treated his subjects of flora and fauna with an observant naturalist’s view, yet his choice of subjects—an egret and reeds—is deeply rooted in traditional symbolic language: the egret stands for the scholarly reclusive life, while reeds indicate humility and modesty.

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  • Title: Egret and Reeds
  • Creator: Yang Ki-hun (Seuk-Eun) (Korean, 1843-1919?)
  • Date Created: late 1800s
  • Physical Dimensions: Overall: 196 x 61 cm (77 3/16 x 24 in.)
  • Provenance: (Sotheby's, New York, NY, Korean Works of Art, sale 6508, December 3, 1993, lot 46), George Gund III [1937-2013], bequest to the Cleveland Museum of Art, The Cleveland Museum of Art, Cleveland, OH
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/2015.509
  • Medium: hanging scroll; ink on paper
  • Original Title: 백로도 (白鷺圖)
  • Fun Fact: Yang Ki-hun was one of the most commercially successful painters known for decorative bird-and-flower subjects.
  • Department: Korean Art
  • Culture: Korea, Joseon dynasty (1392-1910)
  • Credit Line: Gift from the Collection of George Gund III
  • Collection: ASIAN - Hanging scroll
  • Accession Number: 2015.509
The Cleveland Museum of Art

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