This three-tiered painting represents the medieval tradition of itinerant professionals/ entertainers who used large size cloth paintings to visually support their narratives – folklores and lilas of gods. Some of the better known examples of this genre are Paithan painting of Maharashtra, Pabujukipar of Rajasthan and Patachitras of Orissa and Midanapur. This painting, rendered using narrative style of Midanapur Patachitras, represents some major events from the life of Rama. On extreme left in the top panel Rama and Lakshmana are with sage Vishvamitra. Rama kills Tadka, the demoness, for obstructing recluses from performing yajnas. The next event relates to redemption of Ahilya who cursed by her husband had turned into stone. In the next episode, Ravana, disguised as a recluse, is abducting Sita. In the fourth event Rama is seen killing the golden deer. The central panel relates to Rama’s meeting with Hanuman and other subsequent events up to the construction of bridge over the sea to Lanka by Nala, Neela and other monkeys. The bottom panel depicts some random themes. Two images of the goddess Mansadevi apart, it depicts a woman immolating herself with her dead husband, and another, sacrificing two human beings, the wide-spread social evils.