Everything That Rises Must Converge

For her solo exhibition at the Fondation Cartier pour l’art contemporain in 1999,
Sarah Sze, then a young artist, broke away from the usual scale of her art. Having worked till then in small spaces, she chose to create
a huge installation for the building of the Fondation Cartier, exploring architecture, transparency, and the relationship between inside and outside. With Everything that Rises Must Converge, she transformed a multitude of daily objects into a whirling suspended construction. As constellations spreading
out around a space, her sculptures change shape and recon gure themselves for each installation. She designed a new con guration for the Seoul Museum of Art, suspended over two oors and visible from every point in the building.