For this compelling representation of idyllic rural life, painter Yuan Jiang was influenced by an artist who preceded him by six hundred years. Liu Songnian (active 1190–1224), a court painter, achieved fame for his Illustrations of Farming and Fishing, for which the emperor awarded him a gold belt. Liu’s work had a major impact on the agrarian subject matter that later court painters took on. This focus was both an extension of the idealism of Tao Yuanming’s The Peach Blossom Spring and a reflection of the importance of agriculture during the Southern Song dynasty, when the court fled to the south.
In Yuan’s painting, life in a fishing village unfolds as an episodic narrative. Individual scenes show various activities— reading by an open window by the river, resting on a low bed, flying a kite, bathing a buffalo, fishing on a boat, and preparing dried fish. Scenes like these appear in Tao Yuanming’s writing.